Ron Boots and Friends:
Ron Boots (synthesizers, sequencers)
Eric Van Der Heijden (synthesizers, electronic woodwind)
Harold Van der Heijden (drums)
Frank Dorritke (guitar)
Martin Peters (synthesizers, sequencers)
Rene de Bakker (synthesizers, sequencers)
Paget High School Business & Enterprise College
Burton on Trent
The Awakenings Evening of Ambient and Electronic Music is held four to five times a year and is a series of live ambient, electronic and experimental performances that showcase both new and establish artists in these fields. These performance are frequented by fans and electronic music artists alike, they are expertly organised by electronic music artists, namely Phil Booth, Martin Greenwood and Jez Creek.
This particular Awakenings evening was quite special because the three acts on the bill hailed from the Netherlands and possibly represent the very best that country has to offer at this time. Walking into the auditorium was like walking into a synth-nerd’s wet dream – it was pure wall-to-wall, ceiling-to-ceiling synth porn.
First on the bill this evening were duo, Beyond Berlin, comprising Martin Peters and Rene de Bakker. As their name strongly suggests, their music is very much in the traditional Berlin School style of electronic music, featuring long repetitive sequences over-laid with electronic textures and synthesizer leads. Their set was a tour-de-force of analog sequencer-based music, going very much back to the basics pioneered by the likes of Tangerine Dream. Without doubt, it was the perfect start for the evening, as their excellent cosmic space music really set the mood for what lay ahead. And one thing that I must mention, purely because it reinforced the sense of it really being live was that they had to take a short break between the second and third tracks to re-patch their modular synthesizers – now THAT is live music and more power to them for it. As far as the set as a whole was concerned, a fine demonstration of quality sequencing, great textures and soaring leads making it a very enjoyable start to the proceedings.
Next up was one artist that I personally was looking forward to – Rene Splinter. I had seen Rene perform live in 2013 at the E-Day Electronic Music Event in Holland (I was playing in the electronic rock group Code Indigo who performed immediately after Rene’s set on that day), and was blown away by his music. On this night, he did not disappoint, his set was simply stunning. Performing his brand new “Frames” album, which was released at this event, with assistance from Eric and Harold van der Heijden and Frank Dorritke on two tracks, Rene performed an incredibly powerful set that was strong on content with it’s high quality blend of melody, form and performance. With music and performance of this standard, it’s no exaggeration to state that Rene Splinter is now one of the best electronic music artists in the Netherlands at this time, something echoed by his contemporaries. A highly recommended act to catch live.
And so we came to our third and final treat for the night, Ron Boots and Friends. When one talks about the Dutch Masters, I no longer simply think of the likes of Rembrandt, Vermeer, and Frans Hals, and certainly not when you have Ron Boots about. Ron is a part of what you think of as a third generation of electronic music artists and has been making and performing since the mid-1980’s. A larger than life character, he brings bags of personality to the music as well as his talent, something which greatly enhances his live performances.
His Awakenings set was no different and served as a most enjoyable reminder as to why Ron is as successful as he is and why he has the reputation he has. Joined by long-time partners in crime Eric van der Heijden on synths and electronic woodwind, Harold van der Heijden on drums (electronic of course!!!) and the outstanding German guitarist Frank Dorritke, Ron’s set was full on from start to finish and was a fine example of how modern Berlin School-style electronic music should sound, be presented and be performed – many of those in attendance felt that we should be seriously talking about Dutch School, such was the impact of tonight’s performance. Two tracks from Morpheusz (Ron’s side project with the van der Heijden brothers and Frank Dorritke) got things underway and met with considerable appreciation from the audience, and then we were given a 30 minute, full-on, in-yer-face, master class in live sequencing in which no prisoners were taken and Ron co totally ravished the ears of all present with a piece that, at one point, had Ron Boots running 13 (thirteen), yes I said 13 (thirteen) separate sequences at the same time, with the other three doing their bits as well. Take a look at the concert images using the link below to see the intense concentration on Ron’s face.
All too soon, the set came to a close, but it wasn’t over. Coming back for another two encore tracks, all of this evening’s performers joined together to create a fantastic finish to what was a fantastic evening of the highest quality electronic music. And Ron’s reputation as a bona fide Dutch Master remains more than very intact.
As a side note, it was heartening to see this event so well supported and good see a number of veteran U.K. musicians in the audience including Michael Shipway, David Wright, Robert Fox and John Dyson as well as another leading Dutch synthesist, Michel Van Osenbruggen, aka Synth.nl.
Concert Images (courtesy of Neil Fellowes Photography):
Awakenings “Dutch Night”